Mackintosh and visual arts research data at The Glasgow School of Art
Posted: April 24, 2012 Filed under: meetings | Tags: digital curation, modelling, RDM policies, technical analysis, ukdcc Leave a comment »Last week the Kaptur team gathered for a project meeting in The Glasgow School of Arts’ incredible Mackintosh building. Representatives from all the project partners met in the Mackintosh room (also known within the School as the Design Room):
“In 1906 Mackintosh was asked to include a new, more formal Board Room into the building and used part of an existing studio on the ground floor, to the left of the entrance. In return what had been the School’s original Board Room, a chiefly white interior on the first floor was turned into a design room. This space (Studio 37) has now reverted back to a meeting room.”
[Text on wall next to the Mackintosh Room]
A photograph of the Mackintosh Room by Bedford Lemere (described as The Board Room) shows the fireplace as it was in 1910 [Buchanan (2004) Mackintosh's Masterwork: The Glasgow School of Art, pp.114-5].
The purpose of the meeting was:
- for the project team to be updated about work at each institution in order to enhance collaboration and lessons learned across the partner institutions;
- to agree and assign tasks for promoting Kaptur internally/externally to the institutions;
- to discuss applicability of the Digital Curation Centre (DCC) tools for the modelling and technical work packages.
This was addressed as follows:
- each Project Officer reported progress on the development of the institutional RDM policies; the Technical Manager reported progress on the Technical Analysis;
- each Project Officer will suggest three different ways of awareness raising within their institution and this will be reported in the next Kaptur monthly blog post;
- we were delighted to welcome Martin Donnelly, Senior Institutional Support Officer, DCC to the meeting; it was very useful to ask specific questions within the context of the project team.
Key points to share:
- A need for awareness raising about managing research data within the institutions through promotion of Kaptur. One of the points to engage researchers is when they ask the institution for Letters of Support for their funding applications.
- The awareness raising needs to be clear about the differences between data storage and data curation; although the storage aspect may still be an incentive for researchers to manage their research data effectively.
- On RDM policy development there was some discussion about the pros and cons of a small more research-focused working group compared to a larger working group which may help with embedding and take-up of the policy as well as awareness raising, but may take longer to discuss and approve a policy. Two institutions have smaller working groups and the other two plan working groups with a wider range of stakeholders. It is useful to share these experiences collaboratively.
Mackintosh and visual arts research data:
This bookcase was originally designed in 1901 by Mackintosh for the drawing room at Windyhill. It was presented to the School by William Davidson on the sale of Windyhill. Also in The Glasgow School of Art’s collection is a scale drawing in pencil with annotations, an example of Mackintosh’s own visual arts research data. Another example is Mackintosh’s Northern Italian sketchbook, available from the Visual Arts Data Service (VADS) and also via the project website. The research was part-funded by The Glasgow School of Art and the creation of the database was funded by the Arts and Humanities Research Council (AHRC).
Left: Lake Como, Campo, Villa del Balbiano, studies of gates, Charles Rennie Mackintosh, 1891 © The Glasgow School of Art. Available from VADS: http://vads.ac.uk/large.php?uid=92819
Right: Modern photo of gates at Lake Como, Campo, Villa del Balbiano © The Glasgow School of Art. Available from VADS: http://vads.ac.uk/large.php?uid=92819&sos=0&pic3=its39p
#jiscmrd – Day 2 – session report on ‘identifying and supporting researcher requirements’
Posted: December 7, 2011 Filed under: events, meetings, project posts, training | Tags: jiscmrd, programme launch 3 Comments »This session was presented by Jonathan Tedds, Senior Research Liaison Manager (IT Services) at University of Leicester and Meik Poschen, Manchester eResearch Centre (MeRC), Requirements and Evaluation Lead from the University of Manchester. Both presentations were interactive, so the key points in this blog are a mixture of points from their slides and from general discussion. The group raised the issue of commonality in terms of approaches and methodologies to identify researcher requirements; an outcome for the programme could be projects sharing what they are doing in this area. The Sustainable Management of Digital Music Research Data project have written a few blog posts about their methodology.
Links
- Meik Poschen – JISCMRD Launch presentation: MaDAM to MISS (PDF)
- Whyte, A., Tedds, J. (2011). ‘Making the Case for Research Data Management’. DCC Briefing Papers. Edinburgh: Digital Curation Centre. Available online: http://www.dcc.ac.uk/resources/briefing-papers
- MiSS (MaDAM into Sustainable Service) JISCMRD-02 project
- MaDAM JISCMRD-01 project
- JISCMRD02-Commonalities Google spreadsheet
- Google Reader “Research data management” bundle created by Jez Cope
- BRISSkit – Biomedical Research Infrastructure Software Service kit
- HALOGEN: History Archaeology Linguistics Onomastics and Genetics (Pilot Project)
MaDAM Key points
- researchers themselves were a useful source of information but it was also important to talk to experimental officers, other PIs, other research groups in order to view the institution’s wider picture
- for user group scoping try and select groups where there could be mutual benefit – researchers should also get benefit from taking part and giving their time
- they used an iterative approach; developers and users had a lot of meetings; the project team observed researchers’ work practice; then involved them with the evaluation of the technical system and soft infrastructure
- funder requirements are now clearer – over the course of an 18 month project things change with researchers and funders
- one of the huge benefits of MaDAM was awareness raising – at the beginning it may have initially been perceived as increasing researchers’ workload but this perception changes over time as funder requirements have changed – now data management is viewed favourably
- cultural change is needed, high level institutional support is crucial too
- importance of personal contact and observation of researchers’ day-to-day research practice
- some questions:
how much storage will researcher need over time? how long has data to be kept in an active or easy accessible state for re-use or sharing? how will the relationship between new policies and research practices develop? how will dissemination practices and hence scholarly communications be effected?
The group felt that although researchers were getting more engaged in this area, the research councils need to do more to enable cultural change with researchers i.e. there is a sense that the research councils have panicked the institutions rather than the researchers. One institution mentioned that a major grant was rejected on the grounds of the technical appendix; the group agreed that researchers need to know about this.
Research Data Management at Leicester – key points
- professorial level champions are good, but also good to get those who are more technically engaged within researcher groups – engaging at different levels
- in the past a project like HALOGEN would have used in-house IT expertise, but would be a one-off solution; they wanted to be able to re-use the infrastructure for future inter-disciplinary and inter-institutional projects
- Tedds raised the importance of ensuring that requirements analysis is iterative – continuous engagement
- challenges included: retro-fitting data to make it interoperable (versioning and provenance issues)
- key thing is to provide something that is less effort for researchers as it is more standardised
- there was a great slide on ‘direct benefits’, this included 1.3 million pounds worth of funding from the Leverhulme Trust
- another great slide on ‘indirect benefits’, which included costs avoided
- Tedds recommended recognising the different cultures and mindsets – the research liaison role helped with this
- top tip: grab researchers’ attention when they are applying for funding – system now includes some checkboxes they have to select when applying for funding e.g. ‘do you need support?’ – this also provides a record of demand
- Leicester’s research computing management group will be chaired by the Pro Vice Chancellor for research so this will feed back to senior management
There was some discussion about the use of SharePoint in the group – the educational pricing for SharePoint in the Cloud is not going to be released now until next Summer.
The group talked about the issue of researchers’ understanding of what research data is; terminology and disciplinary challenges. An example was given of a ‘fabrics database’ which was accepted by an institution – however there was a misunderstanding about what constituted a ‘database’ – an articulated lorry of wool fabric samples turned up = ‘the database’.
We need to provide different options for training – not just face-to-face – as time is a big issue even if researchers recognise they need it. It may be that we could also offer a component to plug into existing courses rather than offering something totally new.
The group discussed the importance of extending training beyond researchers themselves in order to provide consistency across the board irrespective of which department the researchers go to – a common language – a shared agreement of what we are all up to in supporting researchers.
Kaptur interviews with visual arts researchers
Posted: November 29, 2011 Filed under: meetings | Tags: environmental assessment, jiscmrd Leave a comment »Further to a blog post written after our last team meeting on 31st October (Environmental Assessment interview questions); the project team then agreed on a final version of the interview questions as well as an overall methodology and approach. The Kaptur Project Officers have now carried out 13 one-hour recorded interviews between them, with an additional 3 interviews occurring this week and next. This then leaves the rest of December for the marking up of the transcriptions and data analysis at an institutional level i.e. each Project Officer analysing their own four transcripts; and including further reading and following-up on the literature review in this area. We are all getting engaged with the area of research data by attending events and then feeding back to each other (and the wider community) through blog posts.
We are next scheduled to meet on 9th and 10th January for two days of intensive data analysis in order to form our views into one holistic Environmental Assessment across the four institutions. Already indications are that there has been a lot of variety within each institution, but from a discussion of findings so far there do also appear to be themes that are emerging and some suggestions of the appropriate language we can use in engaging visual arts researchers.
We are also engaging with other stakeholders at the institutions, in particular the Research Offices, and the Kaptur Project Sponsors. It is very important to us to have input from visual arts researchers throughout the whole project so that the work of the environmental assessment, whilst it underpins the next stages, is certainly not the end of user engagement and we have a few ideas on how to take this onwards.
Environmental Assessment interview questions
Posted: November 2, 2011 Filed under: meetings, resources | Tags: environmental assessment, JISC Incremental, jiscmrd 2 Comments »This is a brief post on our second meeting which occurred at the Royal Festival Hall, London on 31st October. A more detailed post will follow soon with a progress report on Kaptur’s first month.
All four Kaptur Project Officers were able to meet in London, and each had carried out two informal probing interviews with visual arts researchers. There is also a report available from Goldsmiths, University of London on their findings here: Goldsmiths Probing Interviews (SlideShare.net)
As each Project Officer reported back on their findings to the group, the Project Manager wrote key phrases and points on post-it notes. This was done to both record the data and to enable selection. Out of the resulting discussion each Project Officer chose two issues or themes which they thought particularly relevant, these were then reflected upon again in the group and refined. Finally this led to the drafting of the interview questions and methodology (including consent form for interviewee participants etc), which will be made available soon. There will also be some questions that can cross-over with results from the JISC Incremental interviews, and this may be a useful future comparison.







